2018: Full Run: Design: Lighting – Matthew Cater – The Rise & Fall of Little Voice

2018: Full Run: Design: Lighting – Matt Daw – The Rink

2018: Full Run: Musicals: Male in a Supporting Role – Ben Redfern – The Rink

2018: Full Run: Design: Set – Bec Chippendale – The Rink

2018: Full Run: Director – Adam Lenson – The Rink

2018: Full Run: Plays: New Play – Ed Edwards – The Political History of Smack & Crack

2018: Full Run: Director – Cressida Brown – The Political History of Smack & Crack

2018: Full Run: Plays: Female Performance – Miquel Brown – The Play About My Dad

2018: Full Run: Plays: Female Performance – Afsaneh Dehrouyeh – The Pit & The Pendulum

2018: Full Run: Design: Set – Tom Piper – The Open House

2018: Full Run: Plays: Female Performance – Teresa Banham – The Open House

2018: Full Run: Director – Michael Boyd – The Open House

2018: Full Run: Plays: Male Performance – Greg Hicks – The Open House

2018: Full Run: Plays: Female Performance – Jill Mcausland – The Moor

2018: Full Run: Plays: Most Promising New Playwright – Catherine Lucie – The Moor

2018: Full Run: Director – Blythe Stewart – The Moor

2018: Full Run: Plays: Production – The Misanthrope

2018: Full Run: Design: Sound – Simon Arrowsmith – The Lesson

2018: Full Run: Director – Matthew Parker – The Lesson

2018: Full Run: Plays: Female in a Supporting Role – Joan Potter – The Lesson

2018: Full Run: Design: Lighting – Chris McDonnell – The Lesson

2018: Full Run: Plays: Female Performance – Leanne Best – The Human Voice

2018: Full Run: Director – Daniel Raggett – The Human Voice

2018: Full Run: Design: Set – Amy Jane Cook – The Funeral Director

2018: Full Run: Plays: Production – The Fall